What questions should you ask a dealer?
At British Art Fair, our dealers are on hand to share their expert knowledge. From offering insight into an artwork’s history, the artist’s practice, to what makes a piece significant.…
The Tastemaker Edit
We asked five influential tastemakers from the worlds of art, design and culture to share the works at British Art Fair 2026 that have caught their eye. From emerging names…
How to start a British Art Collection
Every collection begins with a single artwork, but there are many routes to becoming a collector. From buying prints and works on paper to discovering overlooked artists and following your…
Why collect British Art?
Why is now the moment to collect British art? We asked the experts at British Art Fair to share their perspective. Their responses reveal a market defined by value, renewed…
Collecting Digital Art | Looking Beyond the Screen
Digital art is no longer a speculative category waiting for the traditional art world to decide whether it has a place. While the technology may be different, the principles of…
Scrubbing away the horror | Lee Miller at Tate Britain
Tate Britain’s retrospective of Lee Miller - 230 photographs across eleven rooms, traces a coherent trajectory through the many chapters of Miller’s very episodic career.
Spirit of Place | Eric Ravilious’ Furlongs adventures, at Towner Eastbourne
In the 1930s, artist and designer Peggy Angus transformed a derelict cottage on the South Downs into a creative refuge for friends like Eric Ravilious, John Piper and Helen Binyon.…
A geometry of compassion | Elisabeth Frink, at Salisbury Museum and British Art Fair
Elisabeth Frink’s Walking Madonna strides away from Salisbury Cathedral, dignified suffering etched into her middle-aged face. Cast in bronze, she seems anything but static. Her forward motion is palpable, her…
A sublime double-hit | Rachel Whiteread et al, at Goodwood Art Foundation
A field in West Sussex, bordered by ancient woodland, lies fallow… but for a curious jaggedy monument. Imagine if MC Escher had redesigned a Mesopotamian ziggurat, and you’re halfway there.
Drawn to the dark side | Edward Burra at Tate Britain
In the summer of 1933 the 28-year-old painter Edward Burra, living with his parents in the village of Playden, near Rye in East Sussex, wandered out of the house, seemingly…